Audiobook Review: Acceleration

Acceleration

by Graham McNamee

Narrated by Scott Brick

Published 2005 by Laurel Leaf

accel

Goodreads Synopsis:

It’s a hot, hot summer, and in the depths of the Toronto Transit Authority’s Lost and Found, 17-year-old Duncan is cataloging lost things and sifting through accumulated junk. And between Jacob, the cranky old man who runs the place, and the endless dusty boxes overflowing with stuff no one will ever claim, Duncan’s just about had enough. Then he finds a little leather book. It’s a diary filled with the dark and dirty secrets of a twisted mind, a serial killer stalking his prey in the subway. And Duncan can’t make himself stop reading.
What would you do with a book like that? How far would you go to catch a madman?
And what if time was running out. . . .

My Review: 

This was a fun read. I think it tapped into every teenager fantasy to be a hero.

When Duncan finds a killer’s journal he has to face his demons. The story captures readers right away. First, McNamee leads the story with Duncan’s motivation to be a hero. It’s obvious he’s not much of a hero to start with, but at least he’s not as bad as his friends.

There’s not a lot to really like about Duncan’s friends so I won’t talk about them. They’re flat characters with little development. Even Duncan lacks a certain amount of depth, but where character development lacks, it is made up for in action. Which truthfully is the premise of this book.

I was definitely on the engrossed in the story during the high action scenes. It was a little slow building up, but McNamee entertains readers with some light comedy and a few flashbacks. It was fun to imagine with Duncan. He was completely captured by the journal he found – Roach’s journal.

I’m going to keep this review short because there’s not too much to say about it. It was a quick, light read. I would recommend it for the action, but other than that there’s not a lot of depth to it. A great summer read!

As far as the audio, I think Scott Brick was fantastic. It helped that he only had to narrate male voices, but I think he captured the teenager’s attitudes very well.

I give Acceleration by Graham McNamee a 3 out of 5 Stars.

3 Stars

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Book Review: The Last Werewolf

The Last Werewolf (Bloodlines Trilogy #1)

by Glen Duncan

Published 2011 by Random House Audio

were

Goodreads Synopsis:

Meet Jake. A bit on the elderly side (he turns 201 in March), but you’d never suspect it. Nonstop sex and exercise will do that for you—and a diet with lots of animal protein. Jake is a werewolf, and after the unfortunate and violent death of his one contemporary, he is now the last of his species. Although he is physically healthy, Jake is deeply distraught and lonely.

Jake’s depression has carried him to the point where he is actually contemplating suicide—even if it means terminating a legend thousands of years old. It would seem to be easy enough for him to end everything. But for very different reasons there are two dangerous groups pursuing him who will stop at nothing to keep him alive.

Here is a powerful, definitive new version of the werewolf legend—mesmerizing and incredibly sexy. In Jake, Glen Duncan has given us a werewolf for the twenty-first century—a man whose deeds can only be described as monstrous but who is in some magical way deeply human.

My Review:

I enjoyed listening to this book. The deep throaty voice of the narrator, Robin Sachs, brought out the character of Jacob, the werewolf. Unfortunately his American accent wasn’t all that great and some of the other characters seemed silly when they definitely should not have. Also, his voice was much too tenor to narrate a woman, but he gave it a valiant effort.

Duncan is certainly insightful towards metaphors. I truly enjoyed many of the figures of speech although some made me cringe; others made me shake my head. They just weren’t a good fit. Unfortunately I don’t have the text to draw back on, so I can’t recite any. I will say one thing, even for the metaphors that didn’t quite fit. Duncan (perhaps with the husky voice of Sachs) made valiant efforts and managed to make everything seem poetic. Speaking of poetic, the descriptive narrative gave the story major appeal. Even though some description of scenes was downright horrifying. I guess that’s to be expected in a story about monsters.

There was a lot of back-and-forth in this book. And yes, that is double entendre. First, there’s a tangle of people to keep straight and to remember who wants Jake dead vs. who wants him alive. It can be difficult to keep straight in some of the chaos, so stay sharp. But of course there is also quite a bit of sex. Not that it drives the plot in any way. Nor does it really seem all that useful towards the story at all. It’s not romantic, although you get the sense you’re supposed to believe it is. I wouldn’t call this book “steamy”, which is good since I prefer it that way, but if the romance is your thing, I wouldn’t recommend this read.

This one is graphic actually. Duncan never shied away from his imagination. Every gory detail is laid out – from the intimacies of sex to the gore of the kill, often awkwardly in the same paragraph. Speaking of killing, it happens often and quite casually. I suppose 200 years of being a werewolf can have that effect. The premise of this story is Jakes acceptance of his monster, even his delight in it. It’s raw with human emotion and detachment. Before you can feel anything, it get brushed away. While reading, I wish there had been a deeper emotional connection to Jake, but the dismissal of emotion made it difficult to feel sorry or hopeful for him.

I thought the story was paved very well. There were moments when I was completely lost for what was happening which is partly due to my distractions while listening. Still I think it was difficult to catch back up since roles changed and characters were constantly invading the story of Jakes life. I can’t be blamed for getting it backwards once or twice. I do wish there had been less secondary characters, but I’ll allow that it was important to build the chaos this novel thrives on.

Oddly, Duncan liked to compare his story to what might happen “in the movies”. This is all fine and well but the story actually was laid out like film at its moments, which for lack of imagination, the author simply described it’s coincidence as being like film. Unless, of course, it was conveniently unlike film. The whole theme was loosely paired with the events of the story and didn’t follow any recognizable pattern.

I think a part of me wanted to like this book more than I actually did. The prose was so tempting. Duncan knows how to craft words so they flow beautifully. However, the meaning was often too shallow or confusing to appreciate deeper. I liked the gore, but wish the sex and romance had been left out as they were fairly useless throughout the story anyway. However, the ending was very good. I was getting bored and worried I would be tempted to not finishing the book, just when the twist of the story came and led to an epic ending for the novel.
3 Stars

I choose to give The Last Werewolf by Glen Duncan a 3 out of 5 stars.

Book Review: The Girl on the Train

The Girl on the Train

Paula Hawkins

Published 2015 by Riverhead Books

336 pages

Girlontrain.jpg

Goodreads Synopsis:

EVERY DAY THE SAME
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.

UNTIL TODAY
And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?

 

My Review:

The story of Rachel and her predictable, boring life takes an unpredicted turn when she becomes the only witness to a change in a stranger’s routine.

Rachel is kind of down and out you could say. Her recent divorce and addiction to alcohol haven’t helped, and she’s living in a sort-of friend’s flat with no prospects of moving out. She doesn’t have much to live for except brief moments of attention from her ex and a gin and tonic from the off-license.

The highlight of her day is riding the 8:04 train to London in order to witness Jesse and Jason, the couple she’s been observing for months. Then one day she sees something wrong from her view on the train, and she thrusts herself into the story of Megan and Scott – the true identities of the couple revealed to her. And she soon discovers that Jess and Jason – Megan and Scott – aren’t quite what she imagined them to be.

When I say she thrusts herself into the story that is exactly what I mean. Rachel is the protagonist in this story, but in many ways she is deeply troubled. Her struggle with loss concedes terrible coping methods, including her need to be actively involved in he disappearance of Megan Hipwell and her suspected husband, Scott.

The story is told from the perspective of three characters – Rachel, who is the girl on the train, Megan, the girl who’s disappeared, and Anna, the new wife of Rachel’s ex. Rachel is an extremely complex character which made the story interesting and helped drive the plot. Megan and Anna were less complex characters, but not un-interesting. The story was driven by the psychological processes and histories of these three women.

The Girl on the Train took me some time to finish. Granted this is mostly due to my own scheduling, but I can’t help but think part of it was due to the fact I was already in tune to how it was all going to end. I knew from the beginning that all three stories were going to be important – Rachel, Megan, and Anna. Rachel and Megan’s parts were obvious, but Anna’s part meant it had another kind of importance and because of this truth, I had a harder time reaching the end because I knew what was waiting there. I’m trying not to give too much away.

However, the ending proved to be an addictive one. Once I reached a certain point in the story I absolutely could not put the book down. I was enthralled and when I finished the book I was a satisfied reader. Paula Hawkins knows how to pull a story together!

4 stars (2)

I give The Girl on the Train a four out of five stars. The characters were unique, particularly Rachel and her dark, blotchy past. The story had a steady build with a gripping end.